
Uganda’s Inspectors-General of Police
Uganda has been served by several Inspectors-General and Commissioners of Police. Here is a list of Inspector Generals of Police since the country attained its independence in October 1962.
Michael J. Macoun, 1959-1964
Lt. Col. Wilson Erinayo Oryema, 1964-1971
Benjamin Othieno, 1971-1974
Luke Ofungi, 1974-1975
Kassim Musa Obura, 1975-1977
Odria, 1977-1979
David Nsubuga Barlow, 1979
William Musoke, 1979-1980
Boniface Aaron Okoth-Ogola, 1980-1985
Luke Ofungi, 1985-1990
David Psomgen, 1990
Apollo Byekwaso, 1990-1992
John Cossey Odomel, 1992-1999
John Kisembo, 1999-2000
Lieutenant-General Edward Katumba Wamala, 2000-2005
Major-General Edward Kale Kayihura, 2005-2018
Martin Okoth Ochola, March 2018 to date

Do You know Uganda’s Local Musical Instruments
Uganda has a number of traditional instruments which aren’t well known but tend to make appearances in local bands and world music. Abraham Sekasi specialises in these instruments and helps make introductions to them.
Drum: In Buganda, we called the drum, Engoma, and it’s one of the most treasured instruments in the African community. In my tribe, it was used to communicate events and tragedies that either happened, were happening, or about to happen – like hunting, war, and worship. A tune, or percusive melody, was played and each melody could indicate a different event in order that the community could respond.
Akogo/Kalimba/Mbira: In English, this is called the ‘Thumb Piano’ and it is a small, hand-held, hollow box with metal prongs that are plucked by the musician. This was originally used mostly by nomads because it was simple, compact and could be easily carried. When they sat down to rest they could simply take out the instrument and play to forget the past and pass the time. In Uganda, this instrument is more normally found and used by West Nile tribes and those from the north of the country.
Endingidi: This is a stringed fiddle and it is easily recongisable as it usually has one string stretched along a wood piece between a base and the instrument’s top. It is played with a bow. The Endingidi is tuned on a pentatonic scale which has five notes per octave rather than the normal seven. It is mostly used by the Baganda and the Basoga people in their traditional orchestras.
Mbaire (Lusoga) / Madinda (Luganda): This is also known as the Marimba or Xylophone in English. This tends to be the lead instrument in many traditional orchestras in Uganda as it is used to tune the other instruments.
Adungu: This is also known as the African bow harp and it originated from the Northern and Western Nile areas. It plays on the diatonic scale which has eight notes in it. You can recognise it as the player holds the base and then plucks the many strings that are attached to its curved bow. The Adungu has specific stories and dances that accompany it.
Entongooli: This is known as the Lyre. In Uganda it usually has a round base and a triangular frame on which the strings are attached. It is mostly played by the Baganda and Basoga. In Kenya, it is mostly played by the Kikuyus.
These are some of the main instruments but don’t even touch on the wind section with the Enkwanzi (Panpipes), Omulele (Flutes) and Agwara (Horns).
The wood instruments, such as the Madinda and Endingidi are made from the native Ugandan Musambya tree – also known as the Nile Tulip or the Bell Bean Tree.
If you’d like to see a whole orchestra of traditional instruments played the best place to go is the Ndere Centre in Kisaasi on Sunday nights for their family show from 4pm to 9pm. If you’d like lessons or to know more about traditional instruments contact Abraham Sekasi: . Email: abramsek@gmail.com. Or phone: +256 (0) 774 146 040.
Read MoreTooro Kingdom: A Sneak Peek
In the South Western part of the country, adjacent to the Great East African Rift Valley’s western arm, at the foot of the magnificent Rwenzori ranges, the �Mountains of the Moon�, lies one of Africa’s oldest societies.
It is recorded that until the 1830s, Tooro was part of Bunyoro-Kitara, one of the ancient kingdoms in this region. In 1836 Olimi Kaboyo the son of Kyebambe III Nyamutukula of Bunyoro-Kitara, set up Tooro as an independent Kingdom. However, in 1867 Kabalega was crowned king of Bunyoro- Kitara and invaded Tooro under the reign of Nyaika Kasunga, the son of Kaboyo 1. Nyaika had just assumed power after killing his brother Rukidi I. British colonial era set in at the time as 1891 saw the arrival of Lugard with his intimidating Maxim gun. He promptly installed the young Kasagama as King Kyebambe IV of Tooro.
Abwoli Kansiime is from Tooro, she echoes nearly 90 percent of Batooro sentiments and mannerisms you come across on any given street, even with her university education. �Something deep inside me was moved beyond words,� she said. �When they said we now have our king, it was like my spirit was lifted way up and there and then the kingdom was a part of me.� Abwoli recalled the restoration of kingdoms in 1995 with a glittering face, voice stuttering and glistening eyes. A warm smile spreads all over her beautiful face as she falls back in deep thought. Approaching her mid forties now, Abwoli was in her teens when the Uganda government, under Milton Obote, abolished all kingdoms in 1966.
Libya�s President Ghadaffi has turned out to be a blessing to the kingdom under the reign of twelve-year-old King Oyo Nyimba Iguru. Ghadaffi has funded the rehabilitation of the palace plus additional contributions to this kingdom.
Those watching Ghadaffi in Tooro continue to miss the cue to what seems to be an earnest search of cultural rebirth. All the speculations are clouded in the stunning beauty of the Batooro, saying that he has been stricken by the exquisite looks of Tooro Queen Mother Best Kemigisa, romantically linking them together. She dispels the speculations saying that they just happen to be friends and that that is why Tooro now has a beautiful palace.
Still recovering from years of neglect as a kingdom, the Batooro now face the same questions being asked by other kingdoms. Where to place these cultural institutions in Uganda’s regional governments? Will it work and what will it mean for the Batooro?
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